
Mit M-100.2 MD, M-50.4 MD und M-300.1 MD kommen ganz frisch drei neue Endstüfchen von Audio System in die Redaktion. Mit aktuellen Features und neuester Technologie scheinen sie perfekt in die Zeit zu passen. Wir machen den Test.
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Der BenQ W2700i ist ein guter Bekannter, er überraschte vor etwa einem Jahr mit einer hervorragenden Bildqualität. Damals hatte er noch kein „i“ im Namen und es steckte auch noch kein HDMI-Stick mit kompletter Android-Installation im Karton.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 8FX
Specification | |
Type | 8-Channel Mixing Console |
MONO mic/line inputs | 2 with compressor |
Mic mono/stereo line inputs | 2 |
Stereo line input | 1 |
Dimensions (W x H x D) | 255 x 68 x 342 mm |
Weight | 1,98 Kg |
MICROPHONE INPUT | |
Connector | Balanced XLR |
Impedance | 1.8 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | 0~55dB |
Max input | +15dB (balanced) |
Low-cut | 75Hz 12dB/oct. |
Signal-to-noise ratio | <-100 dBr A weighted |
Phantom powering | +48V |
LINE INPUT | |
Connector Balanced | 6,35mm (1/4”) - unbalanced RCA |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | +15dB~-35dB |
Signal-to-noise ratio | <-100 dBr weighted A |
COMMON SPECIFICATION | |
Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Soglia: 20 dB ---> 5 dB |
Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
EQUALIZATION AND 2-TRACK IN | |
Mono & mono/stereo channels | +/-15 dB @12 kHz / +/-15 dB @2.5 kHz /+/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @2.5 kHz / +/-15 dB @80 Hz +/-15 dB @12 kHz / +/-15 dB @2.5 kHz+/- 15 dB @80 Hz |
Stereo channels | +/-15 dB @12 kHz / +/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @80 Hz+/-15 dB @12 kHz / +/-15 dB @80 Hz |
MICROPHONE INPUT | |
Connector | 2 x unbalanced RCA |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | OFF~+15dB |
STEREO RETURNS | |
Connector | 2 x balanced 6,35mm (1/4”) |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | OFF~+15dB |
DSP | |
A/D - D/A converters | 24 bit |
Number of effects | 16 for 6FX – 100 for 8Fx and 12FX |
Controls | Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) |
Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) | |
OUTPUTS | |
MAIN MIX connectors | 2 x TRS 6,35mm (1/4”) connector (XLR in 12FX) |
MAIN MIX max output level | +22 dBu XLR balanced (+16 dBu unbalanced) |
MAIN MIX output impedance | 120 Ω |
GR1-2 in connectors (12FX only) | 2 x TRS balanced 6,35mm (1/4”) |
GR1-2 max output level (12FX only) | +22 dBu XLR balanced (+16 dBu unbalanced) |
GR1-2 output impedance (12FX only) | 120 Ω |
Headphones connector | Unbalanced TRS 6,35mm (1/4”) |
Headphones impedance | 30 Ω |
Control room connectors | 2 x balanced TRS 6,35mm (1/4”) |
Control room impedance | 120 Ω |
2-TK connectors | 2 x unbalanced RCA |
2-TK impedance | 1 kΩ |



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