379_21926_2
Topthema: Die ewige Legende
Harwood Acoustics LS3/5A
Es gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
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462_22882_2
Topthema: Feurig
High-End-Standbox mit ESS AMT
Mit diesen Chassis wollte ich schon immer mal etwas bauen. Dass ich sie allerdings jemals zusammen in einer Box haben würde, hätte ich dann doch wieder nicht erwartet – dass das Ganze so gut werden würde, dann schon eher.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Manley MICMAID
Ausstattung & technische Daten
| FEATURES | |
| 4x4 MIC / MICPRE MATRIX SWITCHER | |
| FOUR Microphones A/B/C/D matrix to FOUR external Microphone preamplifiers 1/2/3/4 | |
| LOCK each selection combination for comparison | |
| Front-panel 1/4" Direct Input with Variable Phase circuit and Ground Lift switch | |
| THRU: mirrored output of the Direct Input | |
| Low/High range select for Variable Phase all-pass filter | |
| Remote Fader jack for manual gain riding | |
| Polarity Switch flips phase 180degrees for selected Matrix path | |
| MONITOR SECTION has ±19.5 dB gain trim for each signal path | |
| STORE and RECALL settings for gain, mic & pre combinations | |
| Phantom Power selection for each microphone A/B/C/D | |
| DIRECT OUTPUT provided for each micpreamp return | |
| Pickle Remote can step through each microphone or each preamplifier for "sweet spot" selection | |
| Variable illumination brightness user-selectable in three levels | |
| High-quality, gold-contact sealed relays used throughout | |
| Neutrik gold-contact XLR jacks | |
| INSTRUMENT INPUT | -3 = +25 dBu |
| Input Impedance | 120K Ohms |
| Gain Ratio | 12:1 Step down. |
| Voltage Gain | -22 dB (Signal Source: Sine 1 kHz, +4dBu, 6K8 Ohm Source Impedance, 1K Ohm secondary load impedance) |
| ROUTING MATRIX | |
| Matrix Crosstalk | Leakage from adjacent microphone inputs: ≥ 117 dB (1 kHz sine) |
| Leakage from adjacent Preamp sends: ≥ 107 dB (1 kHz Sine) | |
| Microphone Inputs | terminated with source Z=150 Ohm, Preamps sends terminated with 2K7 Ohm load |
| MONITOR/RECORD OUTPUT | |
| Gain | ±19.5 dB (.5 db steps) |
| Frequency response | ±.5 db 10 Hz- 100 kHz |
| Outputs | XLR Electronically Balanced |
| Output Impedance | 66 Ohms |
| Max Output Level | Max Output Level:+28dbu into 100K load @ .025% THD+ NOISE |
| Distortion | 0.003% THD+NOISE |
| Bandwidth | 22 Hz - 22 kHz, Unity gain, into 100K Ohm load |
| Noise Floor | -90dbu A-weighted |
| Dynamic Range | 118 db |
| CMMR | ≥ 86 dB (1 kHz sine, 50mV input) |
| Note | Mon/Rec active stage ALWAYS "looks" at selected PREAMP as its signal source. |
| DIMS AND POWER | |
| Power Consumption Idle | 12 watts 0.1 Amp @ 120V |
| Power Consumption Maximum | 20 watts 0.17 Amp @ 120V |
| Mains Fuse | Mains Fuse: 500mA @ 100~120VAC; 250mA @ 220 ~ 240VAC |
| Mains Fuse type | 5mm x 20mm SLO-BLO GDC glass fuse, 250V AC rating |
| Note | Operating mains voltage: Units are purpose built for original destination countrys mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge. |
| The power transformer in this unit must be rewired in order to change mains operating voltage. | |
| Unit Size | 19" x 10" x 3.5" (occupies 2u) |
| Shipping Weight | 19 dim. (international); 17 lbs. (USA) |
