So lautet der Slogan der Firma Revox. Eine Marke, die man wie wenige andere mit der Kombination aus Technik und Design verbindet. Die Studiomaster A200 ist dafür ein schönes Beispiel.
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TCL bietet mit der Soundbar Q85H Pro ein komplettes 3D-Surroundsystem mit Satelliten und Subwoofer zum erstaunlich günstigen Gesamtpreis von weniger als 500 Euro.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom H2n
| Specifications | |
| Type | Handy Recorder |
| General | |
| Recording media | 16MB–2GB SD cards, 4GB–32GB SDHC cards |
| Built-in memory | Up to 1 minute in 96kbps MP3 format (Recording overwrites any previous recording in memory) |
| Mic arrangements | 90˚ X/Y stereo, MS stereo with adjustable side mic level |
| Recording modes | MS, XY, MS+XY (2ch), MS+XY (4ch) |
| Microphone types | Directional (XY, MS mid mics) |
| Bidirectional (MS side mic) | |
| Maximum sound pressure input | 120 dB spl (directional) |
| 122 dB spl (bi-directional) | |
| File formats | |
| Stereo uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| Compressed MP3 (recording) | 44.1kHz, 48kHz |
| 56 /64/80/96/112/128/160/192/ 224/256/320kbps | |
| (Not compatible with MS-RAW recording) | |
| Compressed MP3 (playback) | 44.1kHz, 48kHz |
| 32/40/48/56/64/80/96/112/128/160/192/224/256/320kbps | |
| 4ch uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| (Two stereo files for each recording) | |
| Digital processing | |
| A/D conversion | 24-bit 128× oversampling |
| D/A conversion | 24-bit 128× oversampling |
| Signal processing | 32-bit |
| Recording time (2GB card) | 3:08:00 (44.1kHz/16bit WAV), 34:43:00 (128kbps MP3) |
| Additional features | |
| Lo cut | 80Hz high-pass filter |
| Comp/Limiter | 3 types of compressors and 3 types of limiters |
| Auto gain | Automatic input gain adjustment (3 levels) |
| Pre rec | 2 seconds of pre-recording |
| Auto rec | Automatic recording start/stop, continuous standby |
| Tuner | Chromatic, guitar, bass and alternate (A/E/G/D/DADGAD) tunings with automatic string detection |
| Metronome | 40–250 BPM range, five tones, pre-count |
| Speed ac | Playback speed adjustable between 50–150% |
| Key control | Playback pitch adjustable ±6 semitones (Cannot be used with 96kHz files) |
| AB repeat | Repeats playback between selected points in a file |
| File divide | Divides a file into two |
| File normalize | Maximizes file volume (Cannot be used with MP3s) |
| File MP3 encode | Converts WAV files to MP3 formats at fixed bit rates |
| Mark | Up to 99 marks (WAV files only) |
| Surround mixer | Adjusts mix balance when playing back 4ch surround recordings |
| Other | |
| Display graphic | 128×64 pixels backlit LCD |
| Input gain | 0 to +39 dB |
| Input jack | Line/mic stereo mini jack with plug-in power |
| 2 kΩ impedance at input levels of 0 to –39 dBm | |
| Output jack | Line/headphone stereo mini jack |
| Rated output level | −10 dBm (output impedance 10 kΩ or more) |
| Headphones | 20 mW + 20 mW (into 32 Ω load) |
| Built-in speaker | 400mW, 8Ω, mono |
| USB | Mini-B type |
| Card reader operation | |
| USB 2.0 high speed | Audio interface operation |
| USB 1.0 full speed | Supports 44.1 / 48kHz sampling rates and 16-bit rate |
| USB bus power operation supported | |
| Power | Two AA batteries, AD-17 USB to AC adapter (DC 5V 1A) |
| Continuous operation of 20 or more hours when recording 44.1kHz/16-bit | |
| WAV files using alkaline batteries | |
| Physical features | Tripod mounting socket, strap attachment |
| Dimensions | 67.6mm (W) × 113.85mm (H) × 42.7mm (D) |
| Weight | 130 g (without batteries) |



