616_24538_2
Topthema: Einzeltest: Henry Audio DA 256
Open-Source-High-End
Seit meinem ersten externen D/A-Wandler (ein günstiges Gerät von Musical Fidelity) bin ich angefixt. Egal, ob man einem alten CD-Spieler klanglich auf die Sprünge helfen möchte oder ob man einfach etwas mehr Klang sucht: Ein DAC kann Wunder wirken.
>> Mehr erfahren>> Alle anzeigen
615_24536_2
Topthema: Aktiv-Standlautsprecher · Loutd musegg
Kaufen oder leihen
„Drum prüfe, wer sich ewig bindet ...“ heißt es in Schillers Glocke. In der High Fidelity stellte sich eine solche Frage bisher nicht. In der Regel ging man zum Händler und tauschte Geld gegen Ware.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 6FX
Ausstattung & technische Daten
| Specification | |
| Type | 6-Channel Mixing Console |
| MONO mic/line inputs | 2 |
| Stereo line input | 2 |
| Dimensions (W x H x D) | 196 x 68 x 243 mm |
| Weight | 1,18 Kg |
| MICROPHONE INPUT | |
| Connector | Balanced XLR |
| Impedance | 1.8 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | 0~55dB |
| Max input | +15dB (balanced) |
| Low-cut | 75Hz 12dB/oct. |
| Signal-to-noise ratio | <-100 dBr A weighted |
| Phantom powering | +48V |
| LINE INPUT | |
| Connector Balanced | 6,35mm (1/4”) - unbalanced RCA |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | +15dB~-35dB |
| Signal-to-noise ratio | <-100 dBr weighted A |
| COMMON SPECIFICATION | |
| Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Soglia: 20 dB ---> 5 dB |
| Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| EQUALIZATION AND 2-TRACK IN | |
| Mono & mono/stereo channels | +/-15 dB @12 kHz / +/-15 dB @2.5 kHz /+/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @2.5 kHz / +/-15 dB @80 Hz +/-15 dB @12 kHz / +/-15 dB @2.5 kHz+/- 15 dB @80 Hz |
| Stereo channels | +/-15 dB @12 kHz / +/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @80 Hz+/-15 dB @12 kHz / +/-15 dB @80 Hz |
| MICROPHONE INPUT | |
| Connector | 2 x unbalanced RCA |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| STEREO RETURNS | |
| Connector | 2 x balanced 6,35mm (1/4”) |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| DSP | |
| A/D - D/A converters | 24 bit |
| Number of effects | 16 for 6FX – 100 for 8Fx and 12FX |
| Controls | Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) |
| Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) | |
| OUTPUTS | |
| MAIN MIX connectors | 2 x TRS 6,35mm (1/4”) connector (XLR in 12FX) |
| MAIN MIX max output level | +22 dBu XLR balanced (+16 dBu unbalanced) |
| MAIN MIX output impedance | 120 Ω |
| GR1-2 in connectors (12FX only) | 2 x TRS balanced 6,35mm (1/4”) |
| GR1-2 max output level (12FX only) | +22 dBu XLR balanced (+16 dBu unbalanced) |
| GR1-2 output impedance (12FX only) | 120 Ω |
| Headphones connector | Unbalanced TRS 6,35mm (1/4”) |
| Headphones impedance | 30 Ω |
| Control room connectors | 2 x balanced TRS 6,35mm (1/4”) |
| Control room impedance | 120 Ω |
| 2-TK connectors | 2 x unbalanced RCA |
| 2-TK impedance | 1 kΩ |
