488_23522_2
Topthema: Ingenieurskunst in Perfektion
Revelation RX2 PRO – High-End Zweikanalendstufe von Brax
Mit der RX2 PRO kündigt Brax nicht weniger als die Endstufe der Superlative an, vollgepackt mit Innovation und das erste Class-D Design der Marke.
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489_23584_2
Topthema: Träume werden wahr
Standlautsprecher · ESS AMT-1 D Revival
Für die Älteren unter uns gehören diese Lautsprecher zu den ersten jugendlichen Audiowunschträumen, wie zum Beispiel das Klipschorn oder die Electro Voice Sentry III. Für alle anderen könnte dieser besondere Lautsprecher eine echte Überraschung werden.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: dbx 376
Ausstattung & technische Daten
| Specifications | |
| Type | Tube Channel Strip w/Digital Out |
| Mic Preamp Connector | Female XLR Pin 2 Hot; Electronically balanced/unbalanced |
| Mic Preamp Input Impedance | 330Ω |
| Mic Preamp max input level | -9 dBu or +11 dBu with 20 dB pad engaged |
| CMRR | >40dB, Typically 55dB |
| Mic Preamp Equivalent Input Noise (EIN) | Typically -120 dBu with a 150Ω source load, 20Hz to 20kHz BW |
| Input Connectors | (instrument/line) 1/4" Jack |
| Input Type | (line) Electronically balanced/unbalanced; (instrument) Unbalanced |
| Max Input | (instrument/line) +21dBu balanced or unbalanced |
| Gain Adjustment Range | (drive control) Line/Instrument: -15dB to +15dB; Mic: +30dB to +60dB |
| Output Connectors | Male XLR Pin 2 Hot and TRS 1/4" |
| Output Type | Servo-balanced/unbalanced |
| Output Impedance | Balanced 120Ω, unbalanced 60Ω |
| Max Output | >+21 dBu, >+20 dBm (into a 600Ω load) |
| Insert Connector | TRS 1/4" Unbalanced |
| Insert Impedance | 100Ω (SEND), 20kΩ (RETURN) |
| Digital Output Connector | XLR for AES/EBU, RCA for S/PDIF |
| Digital Output Impedance | 110Ω for AES/EBU, 75Ω for S/PDIF |
| Word Sync I/O Connectors | BNC |
| Word Sync Input Impedance | 75Ω terminated by internal jumper |
| Word Sync Input | 96, 88.2, 48, or 44.1kHz word clock |
| Word Sync Output | 96, 88.2, 48, or 44.1kHz word clock |
| Output Level | -20dB to +20dB |
| Line Switch | Selects between microphone and line inputs |
| Mic Preamp Phantom Power | +48V |
| Pad Switch | 20dB pad |
| Phase Invert Switch | Reverses pins 2 and 3 of the microphone input XLR |
| Low cut Switch | 75Hz, 12dB/octave high pass filter |
| Frequency Response | (analog) <10Hz to 75kHz |
| THD+Noise | 0.35% typical at +4dBu out, 1kHz, 40 dB gain |
| EQ Low Frequency | 80 Hz, shelving filter |
| EQ High Frequency | 12 kHz, shelving filter |
| EQ Mid Frequency | Sweepable from 100 Hz to 8 kHz, bandwidth 1.5 octaves |
| EQ Gain | (all bands) Sweepable from –15 to +15 dB |
| Compressor Threshold Range | -40 dBu to +20 dBu |
| Compressor Threshold Characteristic | Selectable OverEasy® or Hard Knee |
| Compressor Ratio | Variable; 1:1 to Infinity:1; 60 dB maximum Compression |
| Compressor Attack Time | Program-dependent; Typically 5 |
| Compressor Release Time | Program-dependent; Typically 50 dB/sec (SLOW disabled), 8 dB/sec (SLOW enabled) |
| De-esser Characteristic | Wideband gain reduction |
| De-esser Frequency Range | 800 Hz to 10 kHz High Pass |
| De-esser Release Time | 12 dB/octave program-dependent; approximately 1 ms/dB |
| A/D Conversion System | dbx® Type IV® A/D Conversion System |
| Sample Rate | 96, 88.2, 48, or 44.1kHz selectable |
| Wordlength | 24, 20, or 16 bit selectable |
| Dither Type | TPDF, SNR2, or none |
| Noise Shape | Shape 1, Shape 2, or none |
| Digital Output | S/PDIF or AES/EBU |
| Digital Output Dynamic Range | 107dB typical, A-weighted, 22kHz bandwidth |
| Operating Voltage | DO: 120VAC 60Hz, 100VAC 50/60Hz; EU: 230VAC 50/60Hz |
| Power Consumption | 35W |
