Das Thema Kabel ist nicht unumstritten. Dabei kann man es ganz pragmatisch angehen: Gute Kabel ausprobieren und fertig.
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Man nehme einen Breitbänder, ein Gehäuse und lasse im Grunde alles weitere weg. Heraus kommt wahrscheinlich ein Lautsprecher, der nicht besonders gut klingt. Es sei denn, man weiß, was man tut.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Rupert Neve 517
| Specification | |
| Type | 500 Series Mic Pre / DI / Comp |
| Gain Range | Continuously variable from 6 dB to +20 dB. |
| Threshold Range | Continuously variable from 36 dB to +22 dB. |
| Ratio Range | Continuously variable from 1.1:1 to Limit (40:1). |
| Attack Range | Continuously variable from 20mS to 75mS |
| Release Range | Continuously variable from 100mS to 2.5 Seconds. |
| FF/FB | Feed-Forward or Feed-Back VCA control. |
| Maximum Output Level | Balanced and Floating Transformer Output |
| Maximum output from 20 Hz to 40 kHz is +23 dBu. | |
| Total Harmonic Distortion and Noise | @ 1kHz, +20 dBu output level, no load. |
| Main Output, compressor bypassed Better than 0.0006%. | |
| Main Output, compressor engaged Better than 0.02% | |
| Noise | Measured at Main Output, un-weighted, 22Hz-22kHz, Terminated 40 Ohms. |
| With Gain at Unity, Compressor disengaged Better than 103 dBu. | |
| With Gain at Unity, Compressor engaged: Better than 92 dBu | |
| Frequency Response | Main Output, Unity Gain |
| @ 18 Hz, +/- .1dB | |
| @ 150 kHz -3 dB. | |
| Crosstalk | Measured Channel to Channel: |
| Better than 90 dB @ 15kHz. | |
| METERS | Monitor INPUT LEVEL and GAIN REDUCTION |


