Wenn eine „Männer-Soundbar“ zur Initialzündung wird: Wir testen das große Besteck von Neuron Acoustics
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So lautet der Slogan der Firma Revox. Eine Marke, die man wie wenige andere mit der Kombination aus Technik und Design verbindet. Die Studiomaster A200 ist dafür ein schönes Beispiel.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Rupert Neve Portico II Channel
| Specification | |
| Type | Mic Pre / EQ / Compressor / Texture |
| Mic Pre Frequency Response | Main Output, no load |
| –3 dB @ 2 Hz | |
| –3 dB @ 160 kHz | |
| Noise | Measured at Main Output, unweighted, 22Hz-22kHz |
| Terminated 150 Ohms. | |
| With gain at unity better than –92 dBu | |
| With gain at 66 dB better than –56 dBu | |
| Equivalent Input Noise better than –123 dBu | |
| Gain | Unity to +66dB in 6 dB steps |
| Trim continuously adjustable from –6dB to +6dB | |
| Line Input | Trim continuously adjustable from –6dB to +6dB |
| Maximum Output Level: | |
| Maximum output from 20 Hz to 40 kHz is +25 dBu. | |
| Phantom Power | 48 Volts DC +/- 1% |
| Total Harmonic Distortion and Noise | @ 1kHz, +20 dBu output: Better than 0.002% |
| As above, Silk Engaged: Better than 0.2% Second Harmonic | |
| @ 20Hz, +20 dBu out Better than 0.004% | |
| @ 20Hz, +20 dBu out Better than 0.020% | |
| IM Distortion: Better than 0.002% | |
| Slew rate Better than 4 V/uS | |
| High Pass Filter | Frequency: Continuously Variable from 20 Hz to 250Hz |
| Slope: 12 dB/Octave Bessel | |



