„Drum prüfe, wer sich ewig bindet ...“ heißt es in Schillers Glocke. In der High Fidelity stellte sich eine solche Frage bisher nicht. In der Regel ging man zum Händler und tauschte Geld gegen Ware.
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Die 800er Serie von Philips ist preislich deutlich unter den edlen OLED+ Modellen angesiedelt und erfreut sich daher hoher Beliebtheit. Dennoch bringt das brandneue 2025er Modell OLED810 einen Großteil der Technologie aus der Topserie mit.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Aphex Channel
| Specification | |
| Type | Master preamp & input processor |
| Mic Input | |
| Connector | XLR-3F |
| Type | Transformerless, NPN active balanced, tube second stage |
| Input Z | 2k ? nominal |
| Maximum Input Level (MIL) | +25dBu |
| CMRR | >70 dB @ 60 Hz |
| Nominal Preamp Gain | 20 to 65 dB |
| Phantom Power | +48VDC |
| Pad | 20dB |
| EIN | -127dBu (input shorted) |
| Tube Type | 12AT7/ECC81 Dual Triode |
| Output | |
| Connector | XLR-3M and 1/4" TRS phone jacks |
| Type | XLR is Impedance Balanced (may be used unbalanced) |
| TRS is unbalanced | |
| Out Z Balanced | XLR 66 ? |
| Out Z Unbalanced | XLR 33 ? |
| TRS 600 ? | |
| Nominal Level | XLR +4dBu |
| TRS -10dBV | |
| Maximum Output Level | +25dBu Unloaded |
| TRS +11dBV | |
| Compressor | |
| Attack / Release | Program dependent, user variable release baseline |
| Ratio | 4:1 |
| Threshold | Fixed |
| Knee | Medium hard |
| Gate | |
| Attack | 0.1 millisecond |
| Hold / Release | 300 milliseconds / 400 milliseconds |
| Threshold | -50 to +20dB (variable) |
| Depth | 1 to 58dB (variable) |
| De-Esser | |
| Attack | 0.1 millisecond |
| Release | 100 milliseconds |
| Threshold | Variable -20 to +20dB |
| Ratio | 5:1 |
| Active Band | 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover |
| Insert | |
| Connector Type - Send | 1/4" TRS phone jack (balanced) |
| Connector Type - Return | 1/4" TRS phone jack (balanced) |
| Nominal Operating Level | 0 dBu |
| Point of Insertion | Between dynamics processing and equalizers |
| Big Bottom | |
| Frequency | 50 Hz to 280 Hz |
| Tune | Off to +12dB |
| Parametric EQ | |
| Frequency Tune | 240 Hz to 8 kHz |
| Peak / Dip | ±12dB |
| Q Range | 0.5 to 5 |
| Aural Exciter | |
| Frequency Tune | 500 Hz to 5kHz |
| Mix | Off to +12dB |
| Analog Audio | |
| THD | <.01% @ +4dBu Out |
| IMD | <.01% @ +4dBu Out |
| Freq Response (Flat) | 18 Hz to 24kHz ±1dB |
| Digital Audio | |
| Internal Sample Rates | 44.1KHz, 48KHz, 88.2KHz, 96KHz |
| External Sample Rates | Automatically syncs to any Word Clock between 32KHz and 96KHz |
| Resolution | 24 bits |
| Word Clock Input | BNC jack, High Z, Captures |
| Word Clock Output | BNC jack, 75 ?, 5Vp-p |
| Dynamic Range | Digital dynamic range greater than analog front end |
| Noise Dither | Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither. |
| Level Equivalency | -20dBFS Digital = +4dBu Analog |
| Other Specifications | |
| Power Requirements | 90-250 VAC 50-60 Hz 12W |
| Dimensions | 19"W x 1.75"H x 8.25" D 1 Rack U (482.6mm x 44.5mm x 209.6mm) |
| Depth Behind Front Panel | 7.5" (190.5mm) |
| Net Weight | 6 lbs (2.73 kg) |


