
Das haben wir nicht so oft: Ein genau geführtes Protokoll eines Entwicklers von der Konzeption bis hin zum fertigen Lautsprecher. Bei der „Studio AMT“ von Lautsprecher Berlin haben wir die Gelegenheit, den Gedanken der Entwickler vom Reißbrett bis in den Hörraum zu verfolgen
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Kleine Digitalendstufen finden wir bei Audio System als leistungsfähige Amps in der X-Serie und als superkleine Micro-Amps in der M-Serie. Jetzt kommt mit der X-100.4 MD eine superkleine X-Endstufe mit Anspruch auf richtig Leistung.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Pioneer TORAIZ AS-1
Specifications | |
Type | Monophonic analog synthesizer |
Maximum Polyphony | 1 voice |
Programme | 99 programmes x 10 banks (5 factory banks, 5 user banks) |
Each program includes its own sequence pattern | |
Able to set up to 13 favourite programmes can be registered | |
Weight | 267.4 mm |
Height | 68.6 mm |
Depth | 177.7 mm |
Weight | 1.4 kg |
Power Supply | AC adaptor DC 5 V |
Power Consumption | 1500 mA |
Included Accessories | AC adaptor |
Power cord | |
Quick Start Guide | |
Synthesis Parameters | |
Oscillator 1 | Frequency Pulse Width Sync (Off, On) |
Oscillator 1 Waveshapes (continuously variable) | Triangle Sawtooth Variable-width Pulse |
Oscillator 2 | Frequency Fine Pulse Width Key Follow (Off, On) Low Frequency (Off, On) |
Oscillator 2 Waveshapes (continuously variable) | Triangle Sawtooth Variable-width Pulse |
Oscillators | Slop |
Mixer | Oscillator 1 Level Oscillator 2 Level Sub Level Noise Level |
Low-pass Filter | Cutoff Resonance Key Amount (Off, Half, Full) Velocity (Off, On) |
High-pass Filter | Cutoff Resonance Key Amount (Off, Half, Full) Velocity (Off, On) |
Filter Envelope | Low-pass Filter Amount High-pass Filter Amount Attack Decay Sustain Release |
AMP Envelope | Amount Velocity (Off, On) Attack Decay Sustain Release |
Glide | Rate Off, On Mode (Fixed Rate, Fixed Time, Fixed Rate A, Fixed Time A) |
LFO | Frequency Sync (Off, On) Initial Amount |
LFO Shapes | Triangle Reverse Sawtooth Sawtooth Square Random |
LFO Destination | Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 1 and 2 Pulse Width Low-pass Filter Cutoff High-pass Filter Cutoff VCA |
Modulation Source | Filter Envelope Oscillator 2 Amount |
Modulation Destination | Oscillator 1 Frequency Oscillator 1 Shape Oscillator 1 Pulse Width Low-pass Filter Cutoff High-pass Filter Cutoff |
Effects | |
FX 1 Types | Bucket-brigade Delay Distortion Ring Modulation |
FX 2 Types | Chorus Low Resonance Phaser High Resonance Phaser Maestro Phaser |
Parameters | Each effect has 2 adjustable parameters |
Sequencer | |
Step Length | Up to 64 steps |
Parameters | Key, Velocity, Slew (Off, On) for each step BPM (shared with arpeggiator) Time Divide (shared with arpeggiator) |
Arpeggiator | |
Mode | Up Down Up + Down Random Assign |
Range | 1 ~ 3 octaves |
Parameters | BPM (shared with sequencer) Time Divide (shared with sequencer) |
Performance Control | |
Keyboard | 13 keys 22 preset scales 9 octaves: C0 ~ C9 (use with Oscillator 1 and 2 frequency parameters) |
Slider Parameters (multi assignable) | Oscillator 1 Frequency Oscillator 2 Frequency Low-pass Filter Amount High-pass Filter Amount LFO Amount FX 1 Mix FX 2 Mix |
OLED Display | Able to access all parameters |
MIDI Controllable Parameters | |
Aftertouch | Amount |
Aftertouch Destination | Oscillator 1 Frequency Oscillator 2 Frequency Low-pass Filter Cutoff High-pass Filter Cutoff VCA LFO Amount |
Pitch Bend Range | Up to -/+ 12 semitones |
Miscellaneous | |
Key Mode | Low High Last Low Retrigger High Retrigger Last Retrigger |
Alternative Tuning | 17 preset tunings |
Terminals | |
Outputs | 1 AUDIO OUT L/R (1/4 inch TS Jacks) |
1 PHONES (1/4 inch stereo phone Jack) | |
MIDI | 1 MIDI IN (5P Din) |
1 MIDI OUT/THRU (5P Din) | |
USB | 1 USB B port |
Others | 1 TRIGGER IN (1/4 inch TS jack) |
Trigger Input | Able to connect a general foot switch or input audio signals |
Able to set the operation from 4 types: Pedal Trigger Gate Trigger-Gate |