„Drum prüfe, wer sich ewig bindet ...“ heißt es in Schillers Glocke. In der High Fidelity stellte sich eine solche Frage bisher nicht. In der Regel ging man zum Händler und tauschte Geld gegen Ware.
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So lautet der Slogan der Firma Revox. Eine Marke, die man wie wenige andere mit der Kombination aus Technik und Design verbindet. Die Studiomaster A200 ist dafür ein schönes Beispiel.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom R8
| Specifications | |
| Type | Recorder : Interface : Controller : Sampler |
| Recorder | |
| Track count | 8 (mono) |
| Maximum number of simultaneous recording tracks | 2 |
| Maximum number of simultaneous playback tracks | 8 audio + metronome |
| Recording data format | 44.1 / 48 kHz, 16 / 24-bit WAV format |
| Maximum recording time | 200 minutes/1 GB (44.1 kHz 16-bit, mono tracks) |
| Projects | 1000 |
| Markers | 100/project |
| Locator | Hours/minutes/seconds/milliseconds and bars/beats/ticks |
| File editing | Divide, trim |
| Track parameters | 3-band equalizer, pan (balance), effect send ×2, invert |
| Stereo link | Tracks 1 / 2 ~ 7 / 8 selectable in pairs |
| Other functions | Punch-in/out (manual, auto), Bounce, A-B repeat, Undo/Redo |
| Effects | |
| Algorithms | 8 (CLEAN, DISTORTION, ACO/BASS SIM, BASS, MIC, DUAL MIC, STEREO, MASTERING) |
| Patches | 310 insert, 60 send-return |
| Effect modules | 7 insert, 2 send |
| Tuner | |
| Type | Chromatic, guitar, bass, open A/D/E/G, D modal |
| Rhythm | |
| Voices | 8 |
| Sound format | 16-bit linear PCM |
| Drum kits | 10 |
| Precision | 48 PPQN |
| Rhythm patterns | 511/project |
| Tempo | 40.0 - 250.0 BPM |
| Sampler | |
| Playback formats | 44.1 / 48 kHz, 16 / 24-bit WAV files |
| Editing functions | Trim, Time-stretch |
| Hardware | |
| Recording media | SD card (16MB - 2 GB), SDHC card (4 - 32 GB) |
| Analog-digital conversion | 96kHz 24-bit delta-sigma ADC |
| Digital-analog conversion | 96kHz 24-bit delta-sigma DAC |
| Display | 128 x 64 pixel LCD (with backlight) |
| Inputs | Input 1-8 |
| Type: 8 XLR/TRS combo jacks | |
| Input impedance: (Balanced input) 1KΩ balanced (2 hot), (Unbalanced input) 50 KΩ unbalanced (1 with Hi-Z input impedance 470 kΩ (Hi-Z on), 2 with phantom power) | |
| Phantom Power: 48V, 24V | |
| Input level: -50 dBm < continuous < +4 dBm | |
| Built-in stereo microphones | |
| Type: Omnidirectional condenser microphones | |
| Gain: -50 dBm < continuous < +4 dBm | |
| Outputs | Output |
| Type: TRS phone (balanced) | |
| Phones | |
| Standard stereo phone jack 20 mW x 2 (32 Ω load) | |
| Mixer faders | 9 (mono × 8, master × 1) |
| Pads | 8 (velocity-sensitive) |
| S/N ratio | 93 dB |
| Control input | FS01 |
| USB | |
| Mini-B type (USB 2.0) | Operation as audio interface/control surface and mass storage |
| USB Audio Interface | |
| Number of recording channels | 2 |
| Number of playback channels | 2 |
| Bit rate | 24 |
| Sampling frequency | 44.1, 48, 88.2, 96 kHz |
| Compatibility | Windows® XP SP3 or later (32-bit) |
| Windows® Vista SP1 or later (32-bit, 64-bit) | |
| Windows® 7 (32-bit, 64-bit) | |
| 32-bit: Intel® Pentium® 4 1.8 GHz or faster, RAM 1 GB or more | |
| 64-bit: Intel® Pentium® Dual Core 2.7 GHz or faster, RAM 2 GB or more | |
| Mac OS X 10.5/10.6/10.7/10.8/10.9/10.10/10.11 | |
| with Intel® Core Duo 1.83 GHz or faster and RAM 1 GB or more | |
| USB 2.0 compatible port, Intel chipsets recommended | |
| Power | |
| AC adapter | DC 5V 1A (ZOOM AD-17) |
| Batteries | 4 AA batteries (5.5-hour continuous operation time with backlight on and phantom power off) |
| Other | |
| Dimensions | 257 mm (W) × 190 mm (D) × 51 mm (H) |
| Weight | 780 g |



