487_23559_2
Topthema: Totale Eleganz
Arendal 1528 Monitor 8
Form follows function ist ja ein geflügeltes Wort für Design um die technischen Notwendigkeiten herum. Dass man aber auch beide Aspekte gleichwertig behandeln und auf die Spitze treiben kann, zeigt uns die neue Serie 1528 von Arendal.
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502_23688_2
Topthema: Himmlisches Team
Dynaudio Contour 20i, MOON Audio 250i V2
Unser Hobby spiegelt die Welt da draußen wider: immer mehr, immer größer, immer teurer muss es sein. Zum Glück gibt es aber auch Gegenbeispiele. Mit dem dänischkanadischen Traumduo kann man seinen irdischen Musikfrieden finden.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 24FX USB
Ausstattung & technische Daten
| Specification | |
| Type | 24-Kanal Mischpult |
| Mono microphone/line input | 16, 8 with compressor |
| Stereo microphone/line input | 2 |
| Stereo line input | 2 |
| Power supply | 100-240V AC |
| Power absorption | 70W max |
| Dimensions (W x H x D) | 735 x 460 x 85 mm (29” x 18.11” x 33.46”) |
| Weight | 9.7Kg - 21.39 lbs |
| MICROPHONE INPUT | |
| Connector | XLR-F balanced |
| Impedance | 1.8 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | 0~55dB |
| Max input | +15dB (balanced) |
| Low-cut | 75Hz 12dB/oct. |
| Signal-to-noise ratio | <-100 dBr A weighted |
| Phantom powering | +48V |
| LINE INPUT | |
| Connector Balanced | 6,35mm (1/4”) balanced - RCA unbalanced |
| Impedance | 10 kΩ or higher |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | +15dB~-35dB |
| Signal-to-noise ratio | <-100 dBr weighted A |
| COMMON SPECIFICATION | |
| Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Threshold: 20 dB ---- 5 dB |
| Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| EQ | |
| Mono & mono/stereo channels | +/-15 dB @12 kHz +/-15 dB @ 100Hz~8kHz +/-15 dB @ 80Hz |
| Stereo channels | +/-15 dB @ 12kHz +/-15 dB @ 3kHz +/-15 dB @ 500Hz +/-15 dB @ 80Hz |
| 2-TRACK IN | |
| Connector | 2 x RCA unbalanced |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| STEREO RETURNS | |
| Connector | 4 x 6,35mm(1/4”) balanced |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| DSP | |
| A/D - D/A converters | 24 bit |
| Number of effects | 100 |
| Controls | Preset rotative encoder - DFX MUTE footswitch pedal - DFX MUTE switch - 2-digit display |
| Preset rotative encoder - DFX MUTE footswitch pedal - DFX MUTE switch - 2-digit display | |
| MAIN MIX section | |
| MAIN MIX outputs | 2 x XLR e 2 x jack 6,35mm (1/4”) balanced |
| MAIN MIX max level | +22 dBu XLR balanced (+16 dBu unbalanced) |
| MAIN MIX impedance | 120 Ω |
| GR1-2 GR3-4 outputs | jack 6,35mm (1/4”) balanced |
| GR1-2, GR3-4 max levels | +22 dBu 6,35mm (1/4”) balanced (+16 dBu unbalanced) |
| GR1-2 GR3-4 impedance | 120 Ω |
| Prese Headphones 1-2 | 2 x jack 6,35mm (1/4”) stereo unbalanced |
| Headphones impedances | 30 Ω |
| Control room outputs | 2 x jack 6,35mm (1/4”) balanced |
| Control room impedance | 120 Ω |
| 2-TRACK OUT outputs | outputs 2 x RCA unbalanced |
| 2-TRACK impedance | 1 kΩ |
