589_24182_2
Topthema: Revox Studiomaster A200
Musik ist Geschmacksache, Klang nicht
So lautet der Slogan der Firma Revox. Eine Marke, die man wie wenige andere mit der Kombination aus Technik und Design verbindet. Die Studiomaster A200 ist dafür ein schönes Beispiel.
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563_24276_2
Topthema: Soundbar · Canvas HiFi Canvas
Kann das was?
Bereits im Januar haben wir Ihnen die Canvas HiFi, die Mutter aller Soundbars vorgestellt. Nun hat der Hersteller an entscheidender Stelle nachgelegt – beim Klang.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Grace Design m201
Ausstattung & technische Daten
| Technical Specifications | |
| 2 channel microphone preamplifier with optional reference ADC | |
| Specifications (without A/D converter) | |
| Frequency Response | |
| @ 40dB gain 0.2dB (50? source) | 18Hz-65kHz |
| @ 40dB gain 3dB (50? source) | 4.5Hz-350kHz |
| THD+N | |
| @ 20dB gain +25dBu out, 1kHz | <.0008% |
| @ 40dB gain +25dBu out, 1kHz | <.0009% |
| @ 60dB gain +25dBu out, 1kHz | <.0070% |
| Intermodulation Distortion | |
| SMPTE/DIN 1:1 (50Hz, 7kHz) | <.0020% |
| SMPTE/DIN 4:1 (50Hz, 7kHz) | <.0030% |
| Noise - Referred to Input | |
| @ 60dB gain 50Ω source | -130dB |
| @ 60dB gain 150Ω source | -127dB |
| @ 60dB gain 600Ω source | -123dB |
| Phase Deviation | |
| Phase Deviation | <3 |
| Crosstalk | |
| Any Channel @ 40dB gain 1kHz | -125dB |
| Any Channel @ 40dB gain 10kHz | -115dB |
| CMRR | |
| @ 60dB gain, 3.5Vcm, 1kHz | >70dB |
| @ 60dB gain, 3.5Vcm, 10kHz | >70dB |
| Maximum Output Level | |
| 1kHz, 100KΩ load | +28dBu |
| Impedance | |
| Input | 8100Ω |
| Input, ribbon mode | 20kΩ |
| Output | 190Ω |
| Peak Led Meter | |
| Green threshold | -14dBu |
| Red threshold | +16dBu |
| Weight and dimensions | |
| Weight | 16.5lbs (7.5kg) |
| Dimensions | 2U, 19 rack mount x 10 deep |
| A/D module specifications (line input) | |
| Dynamic range | |
| 20Hz-20kHz | >115dB |
| A weighting | >117dB |
| THD+N | |
| -1dBFS, 20Hz-22kHz | < 0.00026% (-112dB) |
| Frequency response +/-0.2dB | |
| 44.1kHz Fs | 5Hz-21kHz |
| 48kHz Fs | 5Hz-23kHz |
| 88.2kHz Fs | 5Hz-41kHz |
| 96kHz Fs | 5Hz-45kHz |
| 176.4kHz Fs | 5Hz-54kHz |
| 192kHz Fs | 5Hz-59kHz |
| Full scale input level | +16dB or +24dB (+/-2dB trim) |
| Frequency response -3dB | |
| 44.1kHz Fs | 22kHz |
| 48kHz Fs | 24kHz |
| 88.2kHz Fs | 44kHz |
| 96kHz Fs | 48kHz |
| 176.4kHz Fs | 72.5kHz |
| 192kHz Fs | 79kHz |
| Full scale input level | +16dB or +24dB (+/-2dB trim) |
| CMRR | |
| 60Hz | >65dB |
| 1kHz | >80dB |
| 10kHz | >60dB |
| IMD SMPTE 4:1 60Hz, 7kHz, -3dBFS | <100dB (0.0008%) |
| Interchannel crosstalk | <-120dB |
| Group Delay | |
| 44.1-48kHz | 13/Fs |
| Sample rates, internal crystal (kHz) | 44.1, 48, 88.2, 96, 176.4, 192 |
| External Clock Lock Range | |
| Wide lock mode | 40.1kHz-207kHz (+/-8% at each sample rate) |
| s-Lock mode | +/-250ppm (+350, -400ppm typical) |
| Intrinsic Jitter, 200Hz-20kHz BW | |
| Wide lock mode | < 60ps RMS |
| s-Lock mode | < 40ps RMS |
| Jitter Rejection Corner Frequency | |
| Wide lock mode, -3dB, 12dB/octave | 800Hz |
| s-Lock mode, -3dB, 12dB/octave | 10Hz |
| A/D sensitivity | |
| Range A | +22dBu = 0dBFS (18dB headroom*) |
| Range B | +18dBu = 0dBFS (14dB headroom*) |
| *can be calibrated for any setting between +18dBu = 0dBFS and +24dBu = 0dBFS | |
