Revox ist 2003 stolze 75 Jahre alt geworden. Alleine das ist schon Grund zum Feiern. Aber Revox hat auch ein besonderes Angebot für Fans, man kann gewissermaßen Mitglied in einem sehr exklusiven Club werden.
>> Mehr erfahren>> Alle anzeigenEs gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Aphex Channel
Specification | |
Type | Master preamp & input processor |
Mic Input | |
Connector | XLR-3F |
Type | Transformerless, NPN active balanced, tube second stage |
Input Z | 2k ? nominal |
Maximum Input Level (MIL) | +25dBu |
CMRR | >70 dB @ 60 Hz |
Nominal Preamp Gain | 20 to 65 dB |
Phantom Power | +48VDC |
Pad | 20dB |
EIN | -127dBu (input shorted) |
Tube Type | 12AT7/ECC81 Dual Triode |
Output | |
Connector | XLR-3M and 1/4" TRS phone jacks |
Type | XLR is Impedance Balanced (may be used unbalanced) |
TRS is unbalanced | |
Out Z Balanced | XLR 66 ? |
Out Z Unbalanced | XLR 33 ? |
TRS 600 ? | |
Nominal Level | XLR +4dBu |
TRS -10dBV | |
Maximum Output Level | +25dBu Unloaded |
TRS +11dBV | |
Compressor | |
Attack / Release | Program dependent, user variable release baseline |
Ratio | 4:1 |
Threshold | Fixed |
Knee | Medium hard |
Gate | |
Attack | 0.1 millisecond |
Hold / Release | 300 milliseconds / 400 milliseconds |
Threshold | -50 to +20dB (variable) |
Depth | 1 to 58dB (variable) |
De-Esser | |
Attack | 0.1 millisecond |
Release | 100 milliseconds |
Threshold | Variable -20 to +20dB |
Ratio | 5:1 |
Active Band | 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover |
Insert | |
Connector Type - Send | 1/4" TRS phone jack (balanced) |
Connector Type - Return | 1/4" TRS phone jack (balanced) |
Nominal Operating Level | 0 dBu |
Point of Insertion | Between dynamics processing and equalizers |
Big Bottom | |
Frequency | 50 Hz to 280 Hz |
Tune | Off to +12dB |
Parametric EQ | |
Frequency Tune | 240 Hz to 8 kHz |
Peak / Dip | ±12dB |
Q Range | 0.5 to 5 |
Aural Exciter | |
Frequency Tune | 500 Hz to 5kHz |
Mix | Off to +12dB |
Analog Audio | |
THD | <.01% @ +4dBu Out |
IMD | <.01% @ +4dBu Out |
Freq Response (Flat) | 18 Hz to 24kHz ±1dB |
Digital Audio | |
Internal Sample Rates | 44.1KHz, 48KHz, 88.2KHz, 96KHz |
External Sample Rates | Automatically syncs to any Word Clock between 32KHz and 96KHz |
Resolution | 24 bits |
Word Clock Input | BNC jack, High Z, Captures |
Word Clock Output | BNC jack, 75 ?, 5Vp-p |
Dynamic Range | Digital dynamic range greater than analog front end |
Noise Dither | Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither. |
Level Equivalency | -20dBFS Digital = +4dBu Analog |
Other Specifications | |
Power Requirements | 90-250 VAC 50-60 Hz 12W |
Dimensions | 19"W x 1.75"H x 8.25" D 1 Rack U (482.6mm x 44.5mm x 209.6mm) |
Depth Behind Front Panel | 7.5" (190.5mm) |
Net Weight | 6 lbs (2.73 kg) |