Von Audio System gibt es eine Vielzahl an Nachrüstlautsprechern für Audi. Wir schaffen den Überblick und testen das RFIT Set für den A6 C8.
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>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Prism Sound Titan
TYPE | |
True Reference Audio Interface with MDIO Expansion | |
FRONT PANEL | |
Instrument Input | 2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged |
Headphone Output | 2 x 6.3mm stereo TRS Jacks, each with illuminated volume control |
Master volume | Assignable encoder / push switch with halo indication |
Standby button | with standby indicator (also flashes when unit is in identify mode) |
Level Meters | 10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs |
Input selection | Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode |
Overkiller | For every analogue input, lit when Overkiller limiters are acting |
Digital Input | indicators for digital input unlocked and SRC (sample-rate converter) selected |
Digital Output | indicator for SRC (sample-rate converter) selected |
Sync | Master indicator, lit when interface is providing system sync |
REAR PANEL | |
Mic / Line inputs 1-4 | 4 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced) |
Line inputs 5-8 | 4 x 6.3mm TRS jack sockets (balanced or unbalanced) |
Line outputs 1-8 | 8 x 6.3mm TRS jack sockets (balanced or unbalanced) |
Digital inputs | 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied) |
Digital output | 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied) |
Wordclock | 2 x BNC sockets, output and input (75R) |
USB port | 1 x USB 2 port |
Mains power | 3-pin 6A IEC inlet |
SOFTWARE SUPPORT | |
Mac OS Support | OS X 10.4 or later, Intel platform |
Windows OS Support | Windows Vista, 7 or 8, 32 or 64 bit |
Mac audio driver | Core Audio device |
Windows audio driver | ASIO device |
Control Panel applet | Graphical user interface for control of single or multiple Titan units under Mac OS X or Windows. |
ANALOGUE LINE INPUTS | |
Configuration | Electronically balanced, with fully-balanced analogue signal path |
Input Sensitivity | Switchable +4dBu (0dBFS = +18dBu) or -10dBV’ (0dBFS = +6dBu) |
Input Impedance | 14.5kΩ |
Unbalanced Mode | Automatic |
Total harmonic distortion | -117dB (0.00014%, -0.1dBFS) |
THD+N | -111dB (0.00028%, -0.1dBFS) |
Dynamic Range | 116dB (-60dBFS) |
Gain Accuracy | ±0.05dB |
LF roll-off | -0.05dB at 8Hz; -3dB at <1Hz |
HF roll-off | fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz |
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz | |
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz | |
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz | |
CMRR | 20Hz..20kHz: >70dB |
Inter-channel cross-talk | 1kHz: <140dB; 20Hz..20kHz: <-120dB |
Inter-channel phase | 10Hz..5kHz: ±0.25° |
5kHz..20kHz: ±1.0° | |
20kHz..50kHz: ±2.0°, | |
Overkiller | Progessive limiter, auto-aligning, selectable per channel |
Impact Filter | High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode) |
RIAA de-emphasis filter | Response accuracy: |
±0.22dB at fs=44.1kHz | |
±0.14dB at fs=48kHz | |
±0.015dB at other sample rates | |
M-S matrix | Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode) |
MICROPHONE PREAMPLIFIERS | |
Configuration | Electronically balanced, with fully balanced analogue signal path |
Gain | 10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad |
Gain accuracy | ±0.05dB |
Input impedance | 5.5kΩ |
THD | +10dB gain: -116dB at -0.1dBFS (0.00016%) |
+40dB gain: -110dB at -0.1dBFS (0.00032%) | |
THD+N | +10dB gain: -108dB at -0.1dBFS (0.00040%) |
Equivalent input noise (EIN) | +30dB gain: -128.5dBu (0Ω source); -126.3dBu (150Ω source) |
+40dB gain: -130.9dBu (0Ω source); -127.6dBu (150Ω source) | |
+50dB gain: -131.2dBu (0Ω source); -127.7dBu (150Ω source) | |
+60dB gain: -131.4dBu (0Ω source); -127.8dBu (150Ω source) | |
LF roll-off | -0.05dB at 20Hz, -3dB at 5Hz |
HF roll-off | As per analogue line input data (dependent on fs) |
CMRR | 50Hz/60Hz: >110dB at all gains |
1kHz: >100dB at all gains | |
20kHz: >90dB at all gains | |
Phantom power | +48V, switchable per channel |
Pad | -20dB, switchable per channel |
INSTRUMENT PREAMPLIFIERS | |
Configuration | Unbalanced, high impedance buffer |
Gain | 10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu) |
Gain accuracy | ±0.05dB |
Input impedance | 1MΩ |
ANALOGUE OUTPUTS | |
Configuration | Electronically balanced, with fully-balanced analogue signal path |
Output amplitude | Switchable +4dBu (0dBFS = +18dBu) or -10dBV (0dBFS = +6dBu) |
Output impedance | 100Ω balanced, 50Ω unbalanced |
Unbalanced mode | Automatic, with bootstrapping level compensation |
Total harmonic distortion | -107dB (0.00045%, -1dBFS) |
THD+N | -106dB (0.00050%, -0.1dBFS) |
Dynamic range | 115dB (-60dBFS) |
Gain accuracy | ±0.05dB |
LF roll-off | -0.05dB at 8Hz, -3dB at <1Hz |
HF roll-off | fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz |
fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz | |
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz | |
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz | |
Output balance | >50dB |
Inter-channel cross-talk | 1kHz: <-135dB; 20Hz..20kHz: <-120dB |
Inter-channel phase | 10Hz..5kHz: ±0.4° |
5kHz..20kHz: ±0.25° | |
20kHz..50kHz: ±0.5°, | |
DIGITAL INPUTS | |
Formats supported | S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) |
Sample rates supported | S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz |
ADAT (8 channel) 44.1 and 48kHz | |
ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz | |
Channel Status | Ignored |
Word-length | 24 bit |
AES3 Operation | via S/PDIF RCA, using RCA-XLR adaptor (supplied) |
Sample-rate converter (SRC) | Selectable at S/PDIF input; allowing input at any sample rate |
Bit transparency | Maintained (allows recording of Dolby or DTS streams) |
DIGITAL OUTPUTS | |
Formats supported | S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) |
Sample rates supported | S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz |
ADAT (8 channel) 44.1 and 48kHz | |
ADAT S/MUX (4 channel): 88.2 and 96kHz | |
Channel Status | Full implementation, Consumer (S/PDIF) or professional (AES3) |
Word-length | 24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available) |
AES3 operation | via S/PDIF RCA, using RCA-XLR adaptor (supplied) |
Sample-rate converter (SRC) | Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz |
Bit transparency | Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder) |
SYNCHRONIZATION | |
System sample rates | 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz |
Master | local, Wordclock, DI (S/PDIF input) or ADAT |
Slave | bus master (another interface or Host computer) |
Local clock accuracy | ±50ppm |
Jitter rejection | >60dB / decade above 100Hz |
Internal mixer delay (total analogue in to out) | fs = 44.1kHz: 0.57ms |
fs = 48kHz: 0.52ms | |
fs = 88.2kHz: 0.2ms; | |
fs = 96kHz: 0.18ms | |
fs = 176.4kHz: 0.09ms | |
fs = 192kHz: 0.08ms | |
PHYSICAL | |
Form factor | 1U 19inch rack mountable (rubber feet and rack ears supplied) |
Dimensions | Table top (inc feet): W: 440mm D: 290mm H: 50mm |
Rack-mount (inc ears): W: 483mm D: 290mm H: 44.5mm | |
Power | 90-250VAC, 50-60Hz internal power supply IEC 6A connector |
Power consumption | 35W |
Fuse rating | 0.5A(T), 20mm, glass |
Weight | 3.7kg |
Operation ambient conditions | 0 to 35°C, 85% maximum relative humidity |